Sunday, 22 December 2013

Sambhavi Yogam

Śāmbhavi yogam

Introduction According to science sound comes from matter. But the Indian mysticism and philosophy takes a unique stand that matter emerges from sound. Even the super yogic text by Thirumoolar called Thirumandirum reveals that the creation is the outcome of an admixture of the great five elements called Prithvi, Appu, Theyu, Vayu and Akasa in a fixed proportion. It also emphasis that these five elements originate from the divine syllable and sound called Om.

Therefore it is this sound prevailing in the cosmic silence and pervading throughout the universe which underlies all God’s creations including the universe as a whole. Thus it is clear now that sound is the pivot around which the human faculties and the life force act in an unknown style of coordination for everyone to be alive and active as a man of earth. Next comes the role of light underlying the survival and existence of man on earth. Many phenomenal and noumenal activities are alive under the direction of such light. Even the soul and self have their existence and action at the behest of such a light.

To be precise the sound cited above is not an audible one to be located by the modern science. The great treatise of sri adhi sankara called Soundarya lahari seems to be a cross section of sound. The recent discovery of the Russian and American psychologists about the light body around the human physique vide Krilian photography is worth mentioning here and this luminescence all around him is the sustaining force of man’s existence on earth as a mortal. To assume this light and make it merge with the physique for a fuse is the target of yoga. Once this light body is drawn inside the physique in yoga, the man becomes a super human and this is the point of gaining the great siddies called Kaya Siddhi.

Kaya Siddhi is a super feat in yoga where man is freed from the seven ages of life (decay and destruction of gross body towards death) The mighty Siddhas claim this Siddhi in self-help backed by extreme grace of the divine. Thus the human physique is active and alive on earth at the mercy of the two vital forces called sound and light. Even in yoga man has many challenges posed by phenomenal, sensuous, and body motions through thought, breathing and speech. These three when judiciously integrated in yoga leads to unfoldment of the dark sides of the great heroes – sound and light.

Amarakavi Siddeswara was enormously graced by the divine and the cosmic truths about the entire gamut of yogic practice were revealed to him in Brahma Nishta after his successful continued penance during the past seven janmas. The relevant portions from his great works have been culled out to create this title in a way suited to the beginners and the adepts equally. Thus śāmbhavi yoga – the art of unification of nadha and bindu is well detailed in this book touching all the vital areas of cosmic truths connected with light and sound in line with the spiritual experiences of Amarakavi Siddeswara.

We hope that the readers will bask in the light of enlightenment available out of reading this unique book and grace the publisher with good support and feed back.

VRV
E-mail: taponishta@rediffmail.com

Cosmic Truths behind Ramayana

Cosmic Truths Behind Ramayana

Ramayana is a great epic and and treasure of India. It is a holy epic in that it reveals the code of conduct and virtues life to be followed by every man on earth. The story of Ramayana is well known to almost everybody in India. But the same epic is studded with cosmic truths behind every episode thereof which is not presented along with the story. These cosmic truths are the missing links in the task of understanding the true purport of the epic without which the study of Ramayana may sound like a senator’s reading.

Amarakavi Siddeswara, a born siddha yogi and an ardent worshiper of Mula Ganapathi, was gifted with great divine revelations in Brahma Nishta in which God compared his spiritual progress with the cosmic truths behind every episodes of Ramayana. In other words the sequence of episodes in Ramayana is symbolic of and allegory of the spiritual practice adopted by the maharishis of yore and Amarakavi equally.

This title is so well arranged in the form of tables and sequences of the episodes along with narration, pictures and commentary on cosmic truths relevant then and there with scenes. This is a unique book on the story, concept and the purpose of Ramayana full of cosmic truths behind every inch of the story. Thus this book will suit every reader of Indian mysticism, amateur or adept, to understand the path to God realization and the virtuous life adopted by Sri Rama in Ramayana in addition to many yogic feats, blessings from Gods and great seers, techniques of manipulating one’s inner faculties and trials and challenges encountered during the course of life which are allegorically highlighted in this great epic.

We are sure that by reading this wonder book written on the basis of the gospels of Amarakavi Ramachandra of South India one will steer clear of the cob webs standing in the light of understanding the truth of life and role of man against nature and fate towards self-consummation with the divine in selfless discharge of duties to God. Also the cosmic truths behind the so called concepts of soul, self, ego, intellect and other faculties underlying the modus operandi of nature with man so far unrevealed in this style in any book could well be understood to enable oneself to go subjective in spiritual march. The readers, if satisfied, may promote this divine book with good patronage and propagation.

V.R.V 

Friday, 2 December 2011

Amarakavi - Brahma Jnani

Amarakavi Siddeswara was ardent devotee of Moola Ganapathi attained Brahma Samadhi in the year 1993, Chennai. He had long association with Sri Chandrasekara Saraswati Mahaswami of Kanchi. He had the first opportunity to meet him in the year 1946 at Kumbakonam Mutt and used to discuss spiritual subjects during mid night. Siddewara moved intimately with Bhagawan Ramana Maharishi of Tiruvannamalai, who blessed him that he will write books on Siddha cult in future. Sri Aurobindo used to have yogic discussions with Amarakavi in his forth dimension. On one occasion H. H. Sri Chandrasekara Barathi of Sringeri blessed him with spiritual powers.

Amarakavi Siddeswara had so many Vedanta talks with Former President of India Dr. S. Radhakrishnan, Dr. V. V. Giri, and Sir C.V. Raman. We posthumously released the four masterpiece of Amarakavi Siddeswara and many truths of God realization unveiled in these books. These Divine titles are not intellectually written, carried over Revelation from the Divine. These books are meant for common understanding of everyone, from the layman to laureates

Prabhodaran sukumar
Old No.108, New 176, Big Street,
TRIPLICANE, CHENNAI-600 005
Ph: 2844 4275
Cell: 98409 17127

Amarakavi

Amarakavi Siddeswara a ‘Brahma Jnani’ born in 1906 lived at Triplicane, in Chennai. Many years of hard penance in ‘Yoga Nishta’ Amarakavi was graced to hear the ‘Celestial Voice’ of the Divine in 1967 as with the Vedic sages of yore. The mysteries of cosmic truths, hidden dimensions of Speech and Breathing, Human Evolution, Mind, Thought, and many facts of Life were revealed to him in ‘Brahma Nishta.’ Amarakavi recorded all his self-experiences of Atma Bhodham in countless pages of many volumes of books both in Tamil and English. The Divine Revelations falls in line with Siddha Yoga, Advaita, Sri Vidya upasana and Integral yoga.


Contact:
Prabhodaran sukumar
Old No.108, New 176, Big Street,
TRIPLICANE, CHENNAI-600 005
Ph: 2844 4275
Cell: 98409 17127
prabhodaran@gmail.com

Thursday, 24 November 2011

Siddha Painting

á¤j®fË‹ XÉa f©fh£á

ntjfhy ãu«k ÇÎfS«, 18 á¤j®fS« “JÇa«” ÃiyÆš f©L mDgɤj bjŒåf¡ fdîfis¥ nghš mkufÉ á¤nj°tuÇ‹ bjŒåf mDgt§fŸ (M‹Äf¡ fdîfŸ) 108 t©z xÉa§fshf to¡f¥g£L ò¤jf btËp£Ll‹ br‹idÆš flªj V¥uš khj« 28M« njâ Ék®irahf eh‹F eh£fS¡F ï« khbgU« XÉa f©fh£á eil bg‰wJ.
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ïªj 108 á¤j®fË‹ XÉa§fis á¤ju§fshf tiua Rkh® xU tUl¤â‰F nkš MƉW. xU khj¤â‰F g¤J XÉa§fŸ åj« gy khj§fŸ tiu bghWikahf á¤âu§fŸ Ô£l¥g£LŸsd. ïªj t©z xÉa§fis tiuªj XÉa® âU É. gh©oa‹ mt®fS¡F âU v°. bu§fuh#‹ mt®fŸ ÉHhÉš bgh‹dhil mÂɤJ bfsuɤjh®.
mkufÉ á¤nj°tu® 1906 - 1993 br‹id âUtšÈ¡nfÂÆš thœªj (á¤j nah») _y fzgâ k‰W« $ ɤah cghrf® Mth®. ïšyw PhÅahd ïtU¡F 1940 Kjš 1955 M©LfŸ tiu bjŒåf¡ fdîfŸ njh‹¿ tªjd. mit mid¤J« ã‰fhy¤âš mkufÉ mila¥ nghF« gy tifahd nahf á¤âfis á¤j òUõ®fŸ, kfh‹fŸ, ntjfhy kfÇÎfŸ M»ah® K‹d¿É¡F« Éjkhf mUŸ òÇa¥g£lJ.
nkY« m¡fdîfŸ nahf, M‹Äf, j¤Jt És¡f§fŸ, njtijfŸ jÇrd«, njtijfË‹ mUis bgWjš, kªâu á¤âfË‹ j¤Jt«, nahf á¤âfË‹ És¡f§fŸ, fdî tÊ kfh‹fË‹ jnghr¡âia bgUjš, khÅl fdîfŸ - És¡f§fŸ, ÉÊ¥ò, fdî, cw¡f« - ÃiyfË‹ És¡f§fŸ, JÇa«, JßahÔj«, gukgj« - És¡f§fŸ, kfh‹fË‹ fdîfŸ - És¡f§fŸ, bjŒåf¡ fdîfŸ fh£L« thœ¡ifÆ‹ be¿KiwfŸ, fdÉš kfh‹fË‹ jÇrd§fŸ, bjŒåf¡ fdîfŸ njh‹W« fhuz§fŸ, n#hâl ifnuif rh¤âu¤âš M‹Äf òâ®fŸ ngh‹wt‰iw És¡F« Éjkhf ïUªjJ. mkufÉ 1948 M« M©L Kj‹ Kjyhf âUt©zhkiy ukz M°uk¤âš gfth‹ $ ukziu neÇš rªâ¤j nghJ ïªj bjŒåf fdîfË‹ ifbaG¤J ãuâ ò¤jf« mtU¡F thá¤J fh©ã¡f¥g£lJ v‹gJ F¿¥ãl j¡fJ. Rkh® 70 M©LfS¡F ã‹ ïitiz¤J« t©z ò¤jfkhf M®£ ng¥g® toÉš mkufÉÆ‹ bjŒåf¡ fdîfŸ v‹w jiy¥ãš ma¡»Çth gâ¥gf¤jhuš ï›ÉHhÉš btËÆl¥g£LŸsJ.

Saturday, 19 November 2011

Siddha's Art and Paintings

mkufÉ á¤nj°tu® 1906 - 1993  br‹id âUtšÈ¡nfÂÆš thœªj (á¤j nah») _y fzgâ k‰W« $ ɤah cghrf® Mth®.  ïšyw PhÅahd ïtU¡F 1940 Kjš 1955 M©LfŸ tiu bjŒåf¡ fdîfŸ njh‹¿ tªjd.  mit mid¤J« ã‰fhy¤âš mkufÉ mila¥ nghF« gy tifahd nahf á¤âfis á¤j òUõ®fŸ, kfh‹fŸ, ntjfhy kfÇÎfŸ M»ah® K‹d¿É¡F« Éjkhf mUŸ òÇa¥g£lJ.  nkY« m¡fdîfŸ  nahf, M‹Äf, j¤Jt És¡f§fŸ, njtijfŸ jÇrd«, njtijfË‹ mUis bgWjš, kªâu á¤âfË‹ j¤Jt«, nahf á¤âfË‹ És¡f§fŸ, fdî tÊ kfh‹fË‹ jnghr¡âia bgUjš, khÅl fdîfŸ - És¡f§fŸ, ÉÊ¥ò, fdî, cw¡f« - ÃiyfË‹ És¡f§fŸ, JÇa«, JßahÔj«, gukgj« - És¡f§fŸ, kfh‹fË‹ fdîfŸ - És¡f§fŸ, bjŒåf¡ fdîfŸ fh£L« thœ¡ifÆ‹ be¿KiwfŸ, fdÉš kfh‹fË‹ jÇrd§fŸ, bjŒåf¡ fdîfŸ njh‹W« fhuz§fŸ, n#hâl ifnuif rh¤âu¤âš M‹Äf òâ®fŸ ngh‹wt‰iw És¡F« Éjkhf ïUªjJ.  mkufÉ 1948 M« M©L Kj‹ Kjyhf âUt©zhkiy ukz M°uk¤âš gfth‹ $ ukziu neÇš rªâ¤j nghJ ïªj bjŒåf fdîfË‹ ifbaG¤J ãuâ ò¤jf« mtU¡F thá¤J fh©ã¡f¥g£lJ v‹gJ F¿¥ãl j¡fJ. Rkh® 70 M©LfS¡F ã‹ ïitiz¤J« t©z ò¤jfkhf Kgikahd M®£ ng¥g® toÉš jÄÊš ïJngh‹w ngh‹w üš btËtuÉšiy v‹w bgUikíl‹ ‘mkufÉÆ‹ bjŒåf¡ fdîfŸ’ v‹w jiy¥ãš Kj‹ Kiwahf btËÆl¥g£LŸsJ.
fdîfŸ ïu©L Éj«.  rhjhuz khÅl‹ fhQ« fdîfŸ.  k‰bwh‹W kfh‹fŸ fhQ« fdîfŸ.  ïâš khÅl‹ fh©gJ bghŒahd Éõa§fŸ. I«bgh¿fŸ, òy‹fŸ, kd«, f‰gid, khia, K‹ brŒÉid ga‹fshš c©lhd ÃidîfŸ ngh‹witfŸjh‹ khÅl fdîfis cUth¡F»‹wd.  khwhf kfh‹fŸ fh©gJ c©ik¡ fdîfŸ.  mitfŸ ïiwtdhš njh‹Wgit.  vâ®fhy¤âš V‰gl¥ nghF« á¤âfisí« bjŒt jÇrd« k‰W« mUis K‹dnu m¿É¡F« x® m‰òjkhF«.  nkY«, ïªj ò¤jf¤âš fhQ« fdîfŸ mkufÉ á¤nj°tuU¡F ïiwaUshš V‰g£litfshF«.  mtuJ M‹Äf ts®¢áia msªJ fh£L« xU msî nfhyhf És§F»‹wd.
            ntjfhy kfÇÎfŸ, 18 á¤j®fŸ, ãu«k ÃZl®fŸ ngh‹wt®fS¡F k£Lnk V‰gL« M‹Äf k‰W« bjŒåf mDgt§fshF« ï¡fdîfŸ.  fÈíf¤âš ïJ ngh‹w bjŒåf¡ fdîfŸ bjhl®ªJ c©lh» gy ãu«k ïufáa§fis És¡»íŸsij XÉa§fshf tiuªJ M‹Äf j¤Jt És¡f¤njhL k¡fS¡F cjî« tifÆš ïªj bjŒåf ò¤jf« btËtªJŸsJ.  ïªj bjŒåf ò¤jf¤ij go¤J k¡fŸ j§sJ M‹Äf ts®¢á¡F bgUik nr®¡f nt©L«.   nkY«, bjŒåf¡ fdîfŸ njh‹Wtj‹ fhuz«, fhy«, F¿¡nfhŸ k‰W« És¡f§fis Äf¤bjËthf ï¥ò¤jf¤âš ju¥g£LŸsd.  k¡fŸ ïjid go¤J j§fsJ M‹Äf ts®¢áia br«ikah¡f nt©L« v‹gnj v§fŸ neh¡f«. 

Siddha Yogi Biography

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